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Transcribed

Updated title

Episode - 536

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February 8, 2022 Scriptnotes, Transcribed

John and Craig talk about adapting in Hollywood: the process of reimagining existing properties for the screen and career transitions. They cover why some adaptations don’t work, revisiting source material, and developing projects with public domain intellectual property.

We offer advice to writers on adapting to a changing industry and returning to writing after a major life event. Follow up this week includes the first Scriptnotes TikTok, relationship advice, and the perils of main character energy.

In our bonus segment for premium members, we appeal to our grammar nerds as we discuss writing with “to be,” the generic you, and indefinite pronouns.

Links:

  • Movie Pass is Back!
  • Script Speaker
  • Check out our first (and only) Scriptnotes TikTok — thank you to Drew Rosas for editing the audio!
  • Fleabag Season 2, check out our episode with Phoebe Waller Bridge here!
  • First Time Screenwriters Contest
  • Your Ears are Plugged by the Oatmeal
  • Australian Survivor Season 6
  • The Last Campfire
  • Get a Scriptnotes T-shirt!
  • Gift a Scriptnotes Subscription or treat yourself to a premium subscription!
  • Craig Mazin on Twitter
  • John August on Twitter
  • John on Instagram
  • Outro by Owen Danoff (send us yours!)
  • Scriptnotes is produced by Megana Rao and edited by Matthew Chilelli.

Email us at ask@dev.johnaugust.com

You can download the episode here.

Main Character Energy

February 1, 2022 Scriptnotes, Transcribed

John and Craig discuss the Main Character Energy meme. What does it mean for writers when real life people cast themselves in the leading role? We break down main characters vs. protagonists and the danger of life imitating art.

We answer listener questions on do-not-read lists and verb tenses. Follow up this week includes: a how-to guide on firing reps, relationship advice on unsupportive partners, and liberation of the screenplay format.

In our bonus segment for premium members, John and Craig discuss population, specifically how we went from worrying about overpopulation to underpopulation in a span of decades.

Links:

  • Fans Are Suing Universal Pictures Because a 2019 Movie Didn’t Include Ana de Armas
  • How Sweet Fresh Meat clip on YouTube
  • Ashley Ward’s original Main Character TikTok
  • Main Character Energy: Interiority in a world of screens by Coco Klockner for Real Life Mag
  • We All Have “Main-Character Energy” Now by Kyle Chayka for the New Yorker
  • Rediscovering ‘The Truman Show’ in the age of Main Character Syndrome by Mischa Anouk Smith for Far Out Magazine
  • Gary Gulman’s The Great Depresh Kidnapping Hoax
  • Main Character Energy and Narcissism – Inneresting Newsletter by Chris Csont
  • The Afterparty on Apple TV from Lord Miller, First Ep on YouTube
  • Puzzle pals David Kwong and Dave Shukan
  • Malthusianism
  • Get a Scriptnotes T-shirt!
  • Gift a Scriptnotes Subscription or treat yourself to a premium subscription!
  • Craig Mazin on Twitter
  • John August on Twitter
  • John on Instagram
  • Outro by Julia Hostetler (send us yours!)
  • Scriptnotes is produced by Megana Rao and edited by Matthew Chilelli.

Email us at ask@dev.johnaugust.com

You can download the episode here.

UPDATE 2-12-22 The transcript for this episode can now be found here.

Halfway There

January 25, 2022 Scriptnotes, Transcribed

John and Craig look at midpoints, the murky middle of the movie, and why writers shouldn’t overthink them.

We follow up on script formatting, firing your reps, screenplay “rules,” and how Sisyphus can achieve happiness. We answer listener questions on omitted scenes and imaginative children.

In our bonus segment for premium members, John and Craig debate the ethics and issues surrounding NFTs.

Links:

  • Bo Yeon Kim’s Tweet on Bong Joon-Ho’s MOTHER Script
  • Script University’s 20 Common Sense Script Rules, in No Particular Order
  • Read Aloud Software Suggestions Table Read, ZoomText, JAWS, VoiceDream
  • DnD for kids Level 1 Geek and Being a Dungeon Master for Kids
  • Flee animated film
  • Wikipedia Timeline Game
  • Papers, please by Lucas Pope
  • NFT Articles Why it’s too early to get excited about Web3 by Tim O’Reilly, My First Impressions of Web3 on the Moxie Marlinspike Blog, Blockchain-based systems are not what they say they are by Molly White
  • Get a Scriptnotes T-shirt!
  • Gift a Scriptnotes Subscription or treat yourself to a premium subscription!
  • Craig Mazin on Twitter
  • John August on Twitter
  • John on Instagram
  • Outro by William Phillipson (send us yours!)
  • Scriptnotes is produced by Megana Rao and edited by Matthew Chilelli.

Email us at ask@dev.johnaugust.com

You can download the episode here.

UPDATE 3-1-22 You can find the transcript for this episode here.

We See and We Hear

January 18, 2022 Scriptnotes, Transcribed

John and Craig rant about prohibitive screenwriting advice and declare their allegiance to the “we see/we hear” convention. They analyze scripts from this year’s awards season to argue good story trumps all else.

We also answer questions on screenplay fundamentals from parantheticals, action lines to script length.

In our bonus segment for premium members, we consider: what is the screenwriting equivalent of boot camp?

Links:

  • The CW is for sale!
  • Annie Hayes on Writing with an Invisible Illness on John’s blog
  • Being the Ricardos by Aaron Sorkin
  • The Lost Daughter by Maggie Gyllenhaal
  • The Mitchells vs. the Machines by Mike Rianda And Jeff Rowe
  • Passing by Rebecca Hall
  • Belfast by Kenneth Branagh
  • Tick, Tick, Boom by Steven Levenson
  • Willy Wonka Script at the johnaugust.com library!
  • Vigil show
  • MIT Mystery Hunt 2022
  • Get a Scriptnotes T-shirt!
  • Gift a Scriptnotes Subscription or treat yourself to a premium subscription!
  • Craig Mazin on Twitter
  • John August on Twitter
  • John on Instagram
  • Outro by William Brink (send us yours!)
  • Scriptnotes is produced by Megana Rao and edited by Matthew Chilelli.

Email us at ask@dev.johnaugust.com

You can download the episode here.

UPDATE 2-2-2022 The transcript for this episode can be found here.

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