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Writing vs. relationship

March 25, 2005 QandA, Writing Process

questionmarkHow do manage your time between writing and
relationships? Aside from the hours of just you and
your computer (not to mention meetings, phone calls,
and more meetings), how do you find time for
significant others?

I just broke up with a nice girl because I couldn’t
make enough time for the relationship. I felt guilty
every hour I spent not writing and when I got a free
moment, my first thought was writing when it should
have been my relationship. How can a writer remain
prolific and not estrange him/herself from people?
Can the two worlds coexist and if so how?

I don’t want to end up sad and lonely but at the same
time I’m unable to compromise my strong work ethic to
make time for new relationships (it’s hard enough
maintaining the existing ones!)

–Michael
Los Angeles, CA

Unless you work at Wendy’s, it’s always tough balancing a career and a relationship. What’s even harder is balancing three things: a day job, a relationship, and the writing career you’d like to have. So the first thing I’d say is, accept that one of these three things isn’t going to get all the attention he/she/it deserves.

These days, I mostly work from 9 a.m. to 6 p.m., Monday through Friday. Sometimes I have phone calls after hours or on weekends, and occasionally I’ll have to fly to London on five hours’ notice. I get up two or three times a night to jot down things that pop in my head, and I’m always borrowing my partner’s Treo to text-message myself some snippet of dialogue overheard at a party. But from outward appearances, I have a pretty normal working life. So, living with John August the screenwriter isn’t any more difficult than living with John August the attorney would be. That’s a luxury of being able to write as a career.

Back when I was working as an assistant, and writing at night, I had a lot less “free” time. I didn’t go out much. I stayed in on Friday nights and rewrote. I didn’t date a hell of a lot, either. I made a conscious choice to buckle down and get some scripts written. In the end, both work and relationship turned out well, so I guess it worked.

But I’m not sure it was the smartest choice, given my situation at the time. Many writers take ten years before they meet with any real success, and if I’d continued to put writing above relationships, I’d be a sadder, lonelier guy today.

For you, Michael, the better choice might be to stake out some Non-Writing Time, when you deliberately and guiltlessly do the things normal people do, including dating, parties, and watching your sweetheart’s favorite show even though you don’t particularly care for it. Once you specifically block off some Us time, it’s easier to set aside the ten or so hours a week you need for your writing. And if she can’t live with that, well, she can’t live with a writer. Better to know it now.

On a related note, make sure you’re not using your strong work ethic as an excuse to avoid social interaction. Writers are notorious hermits, and that can be dangerous.

During my writing-at-night era, I didn’t go out much at all, but the times I did were often revelatory. An example: I remember meeting Trey Parker at Three of Clubs in Hollywood in either 1994 or 95. Although I’ve never spoken to him since, I know it was him, because this guy was also from Colorado, and he corrected me when I called him Troy. Twice. He told me that he and a friend were making this video Christmas card for a guy at MTV. I felt kind of bad for him, because it seemed like he was kind of struggling.

Of course, that video Christmas card was the original South Park, and he and Matt Stone became successful zillionaires. Seeing the first South Park, I felt some envy, sure, but more importantly I felt inspiration: this guy I met a year ago is now making this kick-ass show. If he can do it, well, maybe I can too.

Obviously, my life didn’t turn on one chance meeting at a bar. But the sum total of all these little incidents really do add up. So whether it’s drinking, dating, or relationship drama, make sure you’re out there experiencing actual life. It will make you a better writer, as well as a more-interesting person.

What does a writer’s assistant do?

March 22, 2005 Film Industry, QandA, Writing Process

questionmarkIn your most recent posting you mentioned your assistant Chad. Someone in the comments made a crack along the lines of “oh boy, sure would be nice to have an assistant,” and that got me thinking… What does he do for you? Is he more of a secretary, or does he actually help with the writing, reading drafts, etc.

I know your previous assistant went on to become a director, so I’m sure that Chad doesn’t just sit around all day answering the phone and filing his nails. Do you guys work out of your home, or have a separate office?

–Alon Ozery
Toronto

Back before he wrote and directed Dodgeball, Rawson Thurber worked as my assistant, and was nice enough to write up this article for the site. So, first, I’d point you there.

Typically, a Hollywood assistant does a lot of what you’d normally call secretarial work: answering phones, scheduling appointments, arranging travel, and dealing with the clutter of office life. In the case of my assistants, they also proofread everything I write. Sometimes, there’s plenty of work, but more often they’re on their own, which is why I make it a habit to hire screenwriters. If someone is going to be under-employed, sitting in front of a computer for eight hours a day, they might as well be writing something that can further their career. That’s how Rawson wrote Terry Tate and Dodgeball.

My other fantastic previous assistants include Emilie Sennebogen, Sean Smith (who is now writing on “Summerland”), and Dana Fox (who wrote The Wedding Date).

Chad, who’s been with me for about two years, has a project set up at Warner Bros., and takes a lot of meetings around town. Before too long, he’ll move on and become a full-time screenwriter, and the cycle will begin again.

As to your second question, our house has a free-standing garage, and I work in a space attached to that. It’s ten feet from the kitchen door to my office, but it’s a crucial ten feet — enough that it feels distinct from home life, but close enough that I can still run in and get whatever I need. I could probably get an office at a studio, but I’m sure I wouldn’t like it as much.

Removing duplicate iCal entries

March 19, 2005 Geek Alert

geek alert
This is hugely off-topic, so feel free to skip to the next article, which will likely have something to do with screenwriting and/or filmmaking.

My assistant Chad and I use Apple’s iCal to keep track of appointments. It’s nowhere near as sophisticated as Exchange or a real professional calendar system, but for the most part, it works. He maintains “John’s Work” calendar, and I maintain “John’s Personal” calendar. We both use the built-in publish-and-subscribe feature, so we see the same things on each computer.

After doing this for several years, however, some problems have arisen — mostly stemming from syncing with various Palm devices. Calendar events get duplicated, often six or seven times. Multiply that by several years, and the files get huge, and slow: my Work.ics file ballooned to 1.7 megabytes.

After searching the internet for a program that would fix this, I finally had to write my own. In the interest of paying-it-forward to the next guy with the same problem, here’s what I wrote. Continue on only if you’re truly geeky, or desperate.

UPDATE: Changes with OS 10.4 (Tiger), and specifically iCal 2.0, means that the script as written won’t work anymore. Sorry. But the underlying concept still holds. With an hour and a little ambition, it should be possible to eliminate duplicates in the same way. Just be sure to always work on a backup of the calendar file.

[Read more…] about Removing duplicate iCal entries

Wonka Industries open for business

March 17, 2005 Charlie, Projects

Wonka Industries Logo

It’s easy to overlook, but on the main webpage for this summer’s Charlie and the Chocolate Factory, there’s an icon for Wonka Industries. One click takes you to the corporate site for the world’s most beloved chocolateer. A lot of stuff is still to-be-added, but click around and you’ll find some new images I haven’t seen anywhere else.

There is also a new Spanish trailer for “Charlie y la Fabrica de Chocolate.” It’s the same as the U.K. trailer (i.e., flaming dolls).

The Dutch trailer is also identical to the U.K., but “Charlie” has become “Sjakie.”

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