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QandA

What should a 14-year old do?

September 10, 2003 Education, QandA

I am 14 years-old and am very interested in screenwriting.
I have read numerous books on the subject. I have four questions:

  1. At 14 years-old, what else should I be doing besides reading
    screenwriting books?

  2. What screenwriting software do you use and why?
  3. In your years of experience, do you find that your creative
    vision makes it to the big screen, without being altered too much?

  4. How old were you when you wrote your first script? How old
    were you when your first script got purchased?

Thank you in advance for answering my questions.

–Adam

Usually I answer one or two questions per reader, but I remember when I was
fourteen I had a lot of questions, so I’ll make an exception.

First, at 14 years old you should be watching everything and everybody. I
don’t mean movies. Watch people, try to figure them out, try to listen to the
cadence and content of their speech. People are simply characters without a
plot. They’re your best place to start. And no one thinks a 14-year old is
paying attention, so they’re likely to let you watch and listen.

And of course you should write. But I wouldn’t get too hung up on writing
a whole screenplay just yet. Write snippets. Write stories. Just write whatever
you feel like.

Second, I use Final Draft for the Macintosh. I love it, but there are other
good programs. And remember, a tool is only as good as the person using it.

Third, a screenwriter’s creative vision often does suffer on the way to the
screen. A screenplay is a blueprint, and the actual movie that gets constructed
may not live up to your highest hopes. I was thrilled with GO, but then I also
produced, so I had a pretty big hand in how it would be done. Other projects
haven’t always met my expectations, and it’s usually because choices were made
that I wouldn’t have made. That’s the reality when you’re not the final voice
on a movie.

Fourth, I was 22 when I wrote my first script. I wrote it in film school,
and it was overwritten like most first scripts are. It’s never been produced,
and honestly it never should be. But it got me started. The first script I
was paid to write was HOW TO EAT FRIED WORMS, which is just now making it to
the gate. The first original script I sold was GO.

When I look back to stuff I wrote when I was 14, I’m usually impressed by
the vocabulary and horrified by the subject matter. I wrote about the stupidest
things, most of them related to Dungeons & Dragons. But it’s important
that I wrote those early things, because it gave me the confidence to make
a living at it now.

A character sings a song

September 10, 2003 QandA, Rights and Copyright

To what extent can a character quote, sing the lyrics, or
hum the tune of a song without rights or permission being attained?

–Trevor

Ultimately, that issue would have to be addressed by whoever’s handling the
legal affairs for the movie. Believe me, it will come up when it needs to.

For your purposes in writing a screenplay, don’t worry about it. Don’t footnote,
don’t asterisk, don’t put a special note in the script. You can leave it as
simple as:

  • Max is WHISTLING the "Bewitched" theme when a pitbull suddenly
    attacks his car.

If it’s especially important to show the lyrics of a song, put them in a character’s dialogue block. Remember that sung words are generally italicized.

My idea’s been stolen

September 10, 2003 QandA, Story and Plot

Help! Everytime I think of a cool screenplay idea, and start
developing a treatment, I find out later that practically the exact same idea
is already
in development somewhere in Hollywood! What should I do? Ditch the idea and
move on, or stick with it?

–Frustrated and slightly paranoid screenwriter

Every working screenwriter I know has been in this situation, where you flip
open Variety and find that Paramount has just bought a project that sounds
horribly similar to yours. Just remember that you’re only reading a one sentence
description, and the script itself could be completely different.

For instance, the logline might read, "The project concerns a team of
scientists who must stop an ancient evil." That storyline could be describing
THE RELIC, or just as easily be about GHOSTBUSTERS. And no one would say those
are the same idea.

In short, my advice is not to worry about it, unless (a) you find out more
details about the other project which prove it to be very similar to yours,
and (b) there’s evidence that the other movie is probably going to get made.
While occassionally two competing projects will get greenlit, such as ARMAGEDDON
and DEEP IMPACT, or VOLCANO and DANTE’S PEAK, far more often neither project
will, as happened with the multiple Janis Joplin biopics.

Just remember that a well-written script has value for a writer even if it
never gets made, in terms of its ability to showcase your talent. If you have
a great idea that can make a great script, don’t be afraid to write it.

Spoofs in your script

September 10, 2003 QandA, Rights and Copyright

I have a question about copyright. I just finished writing
a comedy script which I would like to get made, but in the script I have involved
some slight spoofs
of other films and a few references. What I would like to know is does this
infringe on the copyright? The references and spoofs are indirect and only
take up parts of the film, but I don’t want to make a film then find out I’m
being sued
by everyone. Please help.

–Bunmi

Usually, I’d write up a lengthy explanation of copyright law as I understand
it, which although hopefully entertaining would probably be grossly inaccurate.

So I’ll just give my opinion instead.
You can’t go through life afraid of being sued. If your script is funny, and
part of the reason is because of references and spoofs of other movies, then
you obviously don’t want to remove them. So don’t. I guarantee, no one is going
to sue you just for typing them in your script.

If someone buys your script and makes it, maybe the copyright owners of the
original movies will sue, but I seriously doubt it. There’s a long tradition
of movies parodying each other, and it would be hard to prove any actual damage
or wrongdoing.

Besides, at that point, it’s not your problem. Any lawsuit is going to be
directed at the big rich studio, not the measly underpaid writer. There would
probably even be language in your contract with the studio protecting you just
in case.

So while I can’t say that you’re absolutely, 100 percent safe, I can assure
you that your time is better spent writing funny scenes than worrying about
lawsuits.

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